Tag: arts

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Oops, NEA budget to be cut

Today the Obama administration announced reductions in the proposed budget of the National Endowment of the Arts (NEA) from $154-million to $146-million.  images-1

Writing in the New York Times, Patricia Cohen discusses this historical role in light of a new study on the NEA’s impact:

“Ever since the late 1980s, when the performance artist Karen Finley started playing around with yams and chocolate, the National Endowment for the Arts has come under fire from some conservative lawmakers. Back then the agency was castigated for giving grants to provocative artists like Ms. Finley, whom some critics called obscene.Now House Republicans charge that the endowment supports programming primarily attended by the rich, causing “a wealth transfer from poorer to wealthier citizens.” A new study to be released on Wednesday challenges that assertion, however, and concludes that federally supported arts programs attract people across the income spectrum; the wealthy, yes, but also many below the poverty line.

“The study, by the National Center for Arts Research at Southern Methodist University in Dallas, was specifically intended to test lawmakers’ propositions about arts funding. Last year the House Budget Committee, led by Representative Paul D. Ryan, Republican of Wisconsin, issued a proposed budget for the 2014 fiscal year, which eliminated all funding for the arts endowment as well as the National Endowment for the Humanities and the Corporation for Public Broadcasting.

Continue reading “Oops, NEA budget to be cut”

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The arts boost California’s economy

The results of the 2013 Otis Report on the Creative Economy were unveiled today at an event produced by Otis

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College of Art and Design, held at the Broad Stage in Santa Monica, CA.Speakers included California State Senator Ted Lieu (Chair of the Joint Committee of the Arts, and Chair of the Business, Professions and Economic Development Committee); Los Angeles Economic Development Corporation’s Chief Economist Robert Kleinhenz; Director, Western Region of the Actors Fund Keith McNutt; Otis President Samuel Hoi, California Arts Council Director Craig Watson; and Executive Director of Arts for L.A. Danielle Brazell.

The UCIRA reports that “Otis has commissioned this annual report from the Los Angeles County Economic Development Corporation since 2007, underscoring its commitment to measuring, benchmarking, and assessing trends of the creative economy. The Otis Report was expanded this year to include data for the entire state.

“Significant findings in the 2013 Otis Report on the Creative Economy include:
-In the Los Angeles region, the creative sectors supported 1 in 7 wage and salary jobs, with a net economic output contribution of 10.4% of the region’s gross total.
-The Los Angeles regional creative industries sustained 726,300 workers who earned labor income of $50.6 billion.
-California’s creative economy contributed 7.8% of the gross state product in 2012. Across the state, with a total of 1.4 million workers, the creative industries accounted for directly or indirectly 9.7% of all wage and salary employment, or roughly 1 in 10 jobs.
-Entertainment, fashion, and furniture and the decorative arts were the largest industries in California’s creative economy but nearly 6 of 10 (56%) creative occupations are found outside of the creative industries.
-The Los Angeles region is undisputedly the creative nexus of the state, with over 44% of California’s workers engaged in creative occupations.
-By 2017, creative economy employment will be up by 3.1% or 12,600 jobs from 2012 levels. Creative industry employment in the Los Angeles-Orange County region will total 416,500 wage and salary jobs by 2017.

“The Otis Report has firmly established that the ‘creative economy’ is a powerful force, both in Southern California and in the state,” said Otis President Samuel Hoi. “Signals abound that creativity and innovation are pivotal to the economy and general well-being of people and communities. Artistic services and intellectual capital are inarguably essential to the 21st century economy, which is dynamic, knowledge-based, and increasingly global.”

“Los Angeles Economic Development Corporation’s Chief Economist Robert Kleinhenz stated, “The health of the state economy depends on continued progress in the U.S. economy and among its major trading partners. Improvements in the consumer sector will be front and center in both California and the nation, as households respond to declining unemployment, increases in income, stronger real estate markets, and stock market gains.”An addendum to this year’s Otis Report is “L.A. Creates,” a special report by Director, Western Region of the Actors Fund Keith McNutt, detailing the way in which deliberate, collaborative, and regional efforts can support and develop the region’s creative industries.Lead sponsors for this year’s event are the California Arts Council and Mattel. Other support came from the James Irvine Foundation, Nike, Sony Pictures, City National Bank, The Boeing Company, Ovation, and the City of Los Angeles Department of Cultural Affairs.On Wednesday, February 12th in Sacramento, CA, the 2013 Otis Report on the Creative Economy will be presented at an informational hearing of the Joint Committee on the Arts. Senator Ted Lieu will convene the hearing in the state’s capitol to examine the role the creative sector plays in the state’s economy. The hearing starts at 10AM and is open to the public.”

 

More at: http://www.ucira.ucsb.edu/creativity-is-serious-business-in-the-state-of-california/

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Early arts help with … business skills?

Good news for parents: Those pricey piano lessons or random toy parts littering your floors may one day lead to the next scientific breakthrough.

That’s according to new Michigan State University research linking childhood participation in arts and crafts activities to patents generated and businesses launched as adults, as reported in MedicalNews today.

“In the study, which is published in the most recent edition of the journal Economic Development Quarterly, the researchers defined “childhood” as up to 14 years old.imgres

“The team of multidisciplinary researchers studied a group of MSU Honors College graduates from 1990 to 1995 who majored in science, technology, engineering or mathematics, or STEM. They found of that group, those who own businesses or patents received up to eight times more exposure to the arts as children than the general public.

“The most interesting finding was the importance of sustained participation in those activities,” said Rex LaMore, director of MSU’s Center for Community and Economic Development. “If you started as a young child and continued in your adult years, you’re more likely to be an inventor as measured by the number of patents generated, businesses formed or articles published. And that was something we were surprised to discover.”

“Musical training seems to be important. The researchers found 93 percent of the STEM graduates reported musical training at some point in their lives, as compared to only 34 percent of average adults, as reported by the National Endowment for the Arts. The STEM graduates also reported higher-than-average involvement in the visual arts, acting, dance and creative writing.

“In addition, those who had been exposed to metal work and electronics during childhood were 42 percent more likely to own a patent than those without exposure, while those involved in architecture were 87.5 percent more likely to form a company. And children with a photography background were 30 percent more likely to have a patent. Continue reading “Early arts help with … business skills?”

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Arts and humanities grad programs are growing

Last week, the Council of Graduate Schools delivered a truly baffling piece of news, as reported in The Atlantic.

“From 2011 to 2012, it reported, the number of first-time students enrolled in arts and humanities Ph.D. programs had grown 7.7 percent. Yes, grown. Despite the slow-rolling extinction of the tenured professoriate; despite the fact that job openings haven’t even come close to recovering from the recession; despite ample doomsaying from publications like The New York Times, it seems students are still signing up at a healthy clip to pause their lives for six years in order to study English, history and the like.

“In fact, the enrollment bump was larger in the arts and humanities than almost any other broad field, with the one exception of public administration, as shown on this table from Inside Higher Ed. All of this leads to me to wonder: Why haven’t arts and humanities Ph.D. programs imploded yet? We know, thanks to the collapse of law-school applications, that undergraduate students (as a group, at least) are entirely capable of looking at the job market and making rational decisions about whether or not to pursue a graduate education. Yet in the arts and humanities, in which 43 percent of new Ph.D.’s had no job or postdoc offer by graduation in 2011, there’s no real sign of change. From 2007 to 2012, total enrollment fell by a measly 0.2 percent per year, according to the Council of Graduate Schools. Meanwhile, departments go on merrily producing more new doctorate holders than there are jobs in the academy.

“And 2012 just brought us a bumper crop of aspiring scholars. I’m going to offer a few very lightly sketched out theories in a second, but mostly, I want to hear from you, the readers. What’s keeping arts and humanities Ph.D. programs afloat? If you’re studying for a Ph.D. in the classics right now, what drove your decision making? What information did you or didn’t you have? If you’re a professor, does your department ever discuss shrinking down your incoming class size? Do students seem to have a realistic sense of their chances when they arrive for their first year of grad school?  Or do you think I have it all wrong? Is everything really fine? ”

 

More at: http://www.theatlantic.com/business/archive/2013/09/why-havent-humanities-phd-programs-collapsed/279733/

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Wealthy humanities & arts students

Ok, so the humanities and art draw from wealthier student cohorts. How will this shape what knowledge matters in the future?imgres

Money has always given people better options, but for humanities and arts graduate students, money’s now necessary just to get acceptable ones, reports Inside Higher Ed. “Just now becoming noticeable, this “re-gilded ivory tower” looms over a landscape that everyone should consider.

“As one fellow graduate student recently observed, “You have to have a spouse nowadays; that’s how more and more people seem to be doing it.” As is well-known, the economic crash hastened the decline of tenure-track jobs and increased competition for them. Once standard, these stable jobs with adequate salary and benefits have become rarer, displaced by short-term, one- to two-year positions at best, and by piecemeal adjuncting at worst. In turn, entry-level qualifications also rose at some institutions to include a secondary research specialization, at least one article, and attention to pedagogy resulting in the creation of one or more substantive classes, ideally taught at outside institutions. Continue reading “Wealthy humanities & arts students”

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Arts feminism considered

Sometimes people claim that we don’t need feminism any more. Women have rights, they argue, so what more could they possibly want or need?

A recent post from the UK office of Huffington Posts carries an essay saying: “One only needs to look around the world at the terrible situation for many girls and women to realise that feminism is still necessary and vital. But even once females have better living conditions and more rights, feminism still has a role to play as women try to shape careers.images-7

“Several recent news stories have made it clear that women are way behind when it comes to careers in the arts.

“VIDA’s overview of who got published in literary magazines in 2012 suggests that it is still – no surprise – overwhelmingly men. Not only is it men who more often get their literary work published, but it is also primarily men who get their work reviewed and who are the reviewers, too. Continue reading “Arts feminism considered”

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Metropolitan opera cuts ticket prices

imgres-4It’s no secret that many museums and symphonies are feeling the pinch of declining philanthropy and hence now considering a strategy once practiced only by their scruffier and smaller counterparts: cultural democracy.

Attendance is down this season at the Metropolitan Opera, and officials there acknowledge that the fault is their own. They made going to the opera too expensive, reports today’s New York Times. Continue reading “Metropolitan opera cuts ticket prices”

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Art and the economy explained

Experts agree that arts and culture are an important part of the economy – but the precise relationship is complicated.

As governments and organizations increasingly have to justify spending, the big question remains: does investment in the arts stimulate growth, or are the arts the product of economic development? These questions were posed in today’s edition of The Guardian in a story that continues below:imgres-1

“Few people think of the economic impact of visiting a gallery or buying a ticket to the theatre. But arts and culture in the US generated $135.2 billion (£87 billion) and supported 4.1 million jobs in 2010, according to the latest economic snapshot from the non-profit advocacy group, Americans for the Arts. It would seem that the case for continued arts funding is clear cut – enjoying the arts boosts the economy. But experts say the link between arts investment and economic output is tenuous. Continue reading “Art and the economy explained”

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Top games link to gun makers

This is terrible news for video game makers – but they brought it on themselves. images-1Apparently, Electronic Arts and other developers of some of the most violent shooter games employ a form of product placement in which the “real” guns depicted can be found through links to gun manufacturers from within the games themselves.

“Among the video game giant’s marketing partners on the Web site were the McMillan Group, the maker of a high-powered sniper’s rifle, and Magpul, which sells high-capacity magazines and other accessories for assault-style weapons,” reports a front-page story in the Christmas Day edition of the New York Times Continue reading “Top games link to gun makers”