Oscar’s gender

In an ideal world, there would be no Academy Award for Best Actress in a Leading Role.No Academy Award for Best Supporting Actress either. In this hypothetical Hollywood, recognition is bestowed for the most masterful performance of the year—gender regardless.

But as Pacific Standards reports today, “Obviously, we don’t live in that world. Despite all the Jennifer

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Lawrences and Melissa McCarthys, Hollywood is still dominated by a conspicuous gender bias. Swedish cinemas made news in November after several adopted the Bechdel test to identify gender bias in the material of various films—going so far as to exclude failing films from cinema lineups. It’s certainly a problem worth addressing, but perhaps the gravest examples of Hollywood gender bias lie behind the scenes.

“The New York Film Academy compiled this helpful infographic to illustrate some of the more shocking statistics. Among them:

  • In the top 500 films produced from 2007 to 2012, only 30.8 percent of speaking roles are filled by women.
  • Only 10.7 percent of those films featured a gender-balanced cast (half of the characters being female).
  • There are 2.25 working actors for every working actress in Hollywood today.
  • Ninety-one percent of working directors are male.
  • Eighty-five percent of working screenwriters are male.
  • Eighty-three percent of executive producers are male.
  • Ninety-eight percent of cinematographers are male.
  • Only 35 women were nominated for Academy Awards in 2013, as opposed to 140 men. There were no women nominated for directing, cinematography, film editing, original screenplays, or original scores.
  • Seventy-seven percent of voters in the Academy of Motion Picture Arts and Sciences are male. (Seventy-seven percent!) Continue reading “Oscar’s gender”

The Oscars in retrospect

Everyone was thinking this, and a few said it at the time, but this year the Academy Award show really crossed the line.

It’s always been an irreverent affair – poking fun at egotistical celebrities and, by extension, an overly commercialized industry. So, off-color jokes are nothing new. But this is a program that boasts a global audienceimgres

of one-billion viewers, many of whom watch in prime time. And this time it was frequently patently offensive. While the blame is currently being dumped on host and front-man Kevin MacFarlane, one can hardly conceive that one person is permitted to write the lines for such a heavily hyped spectacle. This is an industry putting its ugliest misogyny and racism on display, with bits of antisemitism thrown in for good measure. The New York times today summed up what people inside and outside of Hollywood have been saying Continue reading “The Oscars in retrospect”