For decades, it was mostly a one-way journey. Television was a steppingstone for directors,
writers, producers and executives who wanted to break into the film business, reports the LA times:
“In the 1950s and 1960s, Hollywood mainstays including Mel Brooks, Garry Marshall and Carl Reiner all got their starts in television but segued to the film world — and are now best known for their big screen work.
“The film business proved a seductive force for many years, and for good reason. Movies had the glamour, perks, press coverage and accolades. Nothing could match the glitter of the Academy Awards.
“Now, entertainment professionals are migrating eagerly in the opposite direction. Many cite HBO’s “The Sopranos” as opening the door after it burst onto the scene in 1999, or A-list filmmakers like producer Jerry Bruckheimer, who got into the TV business in the late 1990s. Others look to film producer Mark Gordon (“Speed,” “The Patriot”), who transitioned into television with hits “Grey’s Anatomy” and “Criminal Minds” in the 2000s — or, more recently, “Fight Club” director David Fincher, who made this year’s “House of Cards” for Netflix, and “Traffic” director Steven Soderbergh, who was at the helm for HBO’s “Behind the Candelabra” TV movie and is directing Clive Owen in the forthcoming Cinemax series “The Knick.”The movement undoubtedly started with actors making the leap to television, but that it has spread to the executive, director and producer ranks is astounding to many old-school business operators, who never imagined they’d view TV as more attractive than the movies. Several producers and filmmakers said they dreamed of working in film but now find themselves in television — drawn to the money, opportunity, cultural heft or creative control. Continue reading “TV is hipper than the movies”
