The 1% crowding out creative talent

imagesRampant inequality is squeezing out the artistic genius that made New York such a vibrant cultural capital. We can’t let that happen, writes David Byrne in an editorial in The Duardian

“I’m writing this in Venice, Italy. This city is a pleasantly confusing maze, once an island of fortresses, and now a city of tourists, culture (biennales galore) and crumbling relics. Venice used to be the most powerful city in Europe – a military, mercantile and cultural leader. Sort of like New York.

“Venice is now a case study in the complete transformation of a city (there’s public transportation, but nocars). Is it a living city? Is it a fossil? The mayor of Venice recently wrote a letter to the New York Review of Books, arguing that his city is, indeed, a place to live, not simply a theme park for tourists (he would like very much if the big cruise ships steered clear). I guess it’s a living place if you count tourism as an industry, which I suppose it is. New York has its share of tourists, too. I wave to the doubledecker buses from my bike, but the passengers never wave back. Why? Am I not an attraction?

“New York was recently voted the world’s favorite city – but when you break down the survey’s results, the city comes in at No 1 for business and only No 5 for living. Fifth place isn’t completely embarrassing, but what are the criteria? What is it that attracts people to this or any city? Forget the business part. I’ve been in Hong Kong, and unless one already has the means to live luxuriously, business hubs aren’t necessarily good places for living. Cities may have mercantile exchange as one of their reasons for being, but once people are lured to a place for work, they need more than offices, gyms and strip clubs to really live.

“Work aside, we come to New York for the possibility of interaction and inspiration. Sometimes, that possibility of serendipitous encounters – and I don’t mean in the meat market – is the principal lure. If one were to vote based on criteria like comfort or economic security, then one wonders why anyone would ever vote for New York at all over Copenhagen, Stockholm or some other less antagonistic city that offers practical amenities like affordable healthcare, free universities, free museums, common spaces and, yes, bike lanes. But why can’t one have both – the invigorating energy and the civic, intelligent humanism? Continue reading “The 1% crowding out creative talent”

Does artistic talent matter?

The cost of an education at an art school or in a college art department has gotten too expensive for merely learning how to express oneself in the likes of painting, sculpture, and printmaking. But as Peter Plagens writes in the Chronicle of Higher Ed,images

“Who wants to go tens of thousands of dollars into debt just to become another starving artist? Today’s art students now look to the commercial specialties—graphic design, fashion, comic strips and graphic novels, industrial design, textiles, video, filmmaking—to provide them with postgraduate employment and, in the bargain, status as hip young determiners of society’s style.

“This is why the Savannah College of Art and Design awards degrees in more than 40 majors. The school—founded by the hard-driving Paula Wallace in 1979 with just a handful of students—offers courses as varied as figure drawing and marine-vehicle design, with several 3D printers available for student use. The college has about 11,000 students, in Savannah (where it owns more than 60 buildings, including a first-rate contemporary-art museum in a beautifully renovated train station) and at new branches in Atlanta and Hong Kong. Wallace, as president and CEO, reportedly earns about $2-million a year. Continue reading “Does artistic talent matter?”